Saturday November 12 * 7pm * TICKETS

Public Speaking is the solo project of Brooklyn sound artist and songwriter Jason Anthony Harris. He uses voice, objects, electronics, and traditional instrumentation to make soulful modern music. He balances adventurous methods with an intimate compositional aesthetic.

Harris grew up on a Christmas tree farm in central Florida, and came to New York City in 2004 to get his start in music. He formed bands ranging from indie rock to instrumental improvisational noise-rock before starting a solo career. The accompaniment of an acoustic guitar eventually expanded into pedals, keyboard, and electronics, before he abandoned the guitar in live sets completely. He improvised his performances with processed voice and found objects, interacting with the space and the audience, trying to create spontaneous moments to share in these intimate small rooms, galleries, and basements. These experiments led him back to songwriting, and equipped with new tools and approaches to sound, he took on the moniker Public Speaking in 2012.

Public Speaking has performed and toured throughout the continental U.S. His music has been featured on the Bandcamp Weekly, The Needle Drop, and in the Museum of Modern Art Magazine. He has released albums on Fabrica, Already Dead, Tape Drift, and Floordoor Records. His albums merge vocal songs with abstract noise and polyrhythmic process pieces. The instrumental collection “Within Patterns” was named one of the Top Ten Experimental Albums of 2014 by A Closer Listen. Tiny Mix Tapes compared 2016’s “Caress, Redact” to Autre Ne Veut and How to Dress Well, and Brainwashed.com called it “one of this year’s best records.“ Public Speaking has been remixed by Jeremy Bible, Ariadne, More Eaze, Heejin Jang, and more.

Harris released “Six Golden Tumors” in 2019: a record deeply influenced by horror films and their soundtracks, biblical texts and mythologies, early Christian history, and Dante’s “Inferno.” His most recent albums “Songs Need People” and “Songs Need Friends” are comprised of songs he wrote for his Patreon subscribers about their lives during the pandemic. He is currently writing and recording new music featuring field recordings of construction during the Museum of Modern Art’s latest renovation.
https://jasonanthonyharris.tumblr.com/

Insect Factory is the music of Silver Spring, MD's Jeff Barsky, and is a meditative project focused on creating detailed and atmospheric guitar compositions. New tape/download “Celestial Cycles” just released on Already Dead Tapes & Records in August 2022!

“…densely layered loops, planes of static standing tall like a gigantic back-scratcher of audio, improvised melodies clamoring over drones like they’re peaks in a mountain range…monolithic, moving, fluid and entirely lovely.” – Tiny Mix Tapes

https://insectfactory.bandcamp.com/
https://www.youtube.com/watch?v=RzIBEBuEWKI

PraxisCat is the experimental electronic solo project from Christine Paluch. Christine is a DC based composer using synthesizers, code, and other musical instruments to explore the relationship between synesthesia and urban spaces.
https://praxiscat.bandcamp.com/

Astroturf Noise exists at the intersection of free improvisation, effects-heavy noise music, and American roots music.

The group’s sound marries the propulsive rhythmic drive of bluegrass with the snarl of Downtown agitators such as the Lounge Lizards, Arto Lindsay, and James Chance along with textural flavors touching on glitch music, dub, doom metal, and Ornette Coleman. A broad melange to be sure, but one anchored by the group’s energetic drive and idiosyncratic improvisational language. This is the synthetic counterpoint to Bill Monroe’s “Bluegrass Boys”.

Astroturf Noise was formed by Sam Day Harmet (mandolin/fx) and Sana Nagano (violin/fx) in 2016 after meeting at Karl Berger’s Creative Music Studio and discovering a shared affinity for high-energy free improv and American folk traditions. After a period of developing as a duo, they added versatile bassist Zach Swanson in 2018. Their debut self-titled album features guest contributions from genre-defying artists Billy Martin (percussion) and Sarah Bernstein (violin). https://577records.bandcamp.com/album/astroturf-noise