Music mixing has evolved dramatically from the earliest recording techniques used over a century ago. From Thomas Edison’s phonograph in 1877—where musicians had to adjust their distance from a recording horn to capture sound— to today’s sophisticated digital audio workstations (DAWs), the journey has been remarkable. We’ve moved from mono recording to the power of stereo and multitrack, providing immense control over every element of a song.

However, with this evolution comes complexity.

One of the biggest challenges facing modern producers is the overwhelming number of options, not only in creating music but also in achieving a polished, professional-sounding mix. The role of the amateur producer has expanded, often requiring skills in creation, mixing, and mastering all at once. It’s in the final stages of this process—the art of balance and finesse—where music can either come to life or fall flat.

These workshops aim to simplify the foundational aspects of audio creation and provide a clear understanding of mixing techniques using accessible tools found in any DAW or live mixer. Whether you're just starting out or looking to improve your mixing skills, this course will help you bring your music into focus, with clarity and balance. This is one of several standalone but related workshops to be presented monthly. A computer is not necessary to attend - you're welcome to watch and learn. That said, you are encouraged to bring your own laptop to receive provided digital resources, and follow along using your own DAW or mixing software. The course will be carried out in Ableton Live 12.

Part 3 outline:

Recap:
Volume, EQ, Compression

Reverb:
- Definition and Real World Deductions
- Ray tracing
- Reverb Parameters:
- Time (RT60)
- Pre-Delay
- Early Reflections
- Diffusion
- Wet/Dry
- Crossover
- Types: Chamber, Halls and Room, Spring, Plate
- Uses: Tandem EQ, Placement, Flourish

Delay:
- Definition and Real World Deductions (Echo)
- Delay Parameters:
- Time
- Feedback
- Wet/Dry
- Types: Standard, Ping Pong, Tape
- Uses: ADT and Slapback

Instructor: Omnico has been crafting experimental multi-genre audio for festivals, art installations, and independent films for over 15 years. He now works with students and emerging artists, offering workshops, online mentorship and tutorials that enhance frequency comprehension and simplify the production process, making audio creation accessible to all skill levels. Omnico Audio blends Foley recordings with glitch-focused minimalism, bridging the digital and physical realms, inspiring students to explore sound as a powerful tool for innovation and expression, without limitation.

https://soundcloud.com/omnicoaudio
https://omnicoaudio.bandcamp.com

Sunday, January 12th, 2025
11:30am-2:30pm
1256 Lloyd Center
2nd Floor, near Dicepool
$10-20 sliding scale admission
Tickets are required to attend. No one is turned away for lack of funds, so email info@synthlibraryportland.com for lower/no-cost tickets.